| |
As agreed by the informal Economic and Finance Ministers' Council of Verona in April 1996, the euro
coins have a common side and a national side.
For the selection of the design of the first common sides, a competition was organised at European level,
and on 16 June 1997 the Amsterdam European Council decided and made public the winning series.
Photographs of the common sides, together with a brief factual description of the designs, were published
in the Official Journal (1).
On 7 June 2005 the Council decided that the common sides of the 10-, 20- and 50-cent coins and the 1-
and 2-euro coins, which currently represent the European Union before it was enlarged from 15 to 25
Member States in 2004, should be modified so that all Member States of the European Union will in the
future be represented. The common sides of the smallest denomination coins (1-, 2- and 5-cent) represent
Europe in the world and are not affected by the enlargement of the European Union.
The new common sides will be applied as from 2007. The Member States adopting the euro from 2007
onwards will only issue euro coins with the new common sides. The Republic of Slovenia will be the first
of the new Member States to do so. Current euro-area Member States may also start to apply the new
common sides as from 2007 for new coin production, and will in any event switch to the new common
side by 2008 at the latest. |
|
On the 10-cent, 20-cent and 50-cent coins, the numeral, representing the value of the coin, appears on the
right-hand side of the common face. Horizontally, below the numeral, appear the words ‘EURO CENT’, the
latter placed below the former. The word ‘CENT’ is written in bigger letters with a major capital ‘C’. Six
straight lines run vertically between the lower and upper left hand side of the face. 12 stars are superimposed
on these lines, one just before the two ends of each line. Superimposed on the mid- and uppersection
of these lines, the European continent is represented. The initials ‘LL’ of the engraver appear
between the numeral and the edge on the right-hand side of the coin. |
On the 1-euro and the 2-euro coins, the numeral, representing the value of the coin, appears on the lefthand
side of the common face. Six straight lines run vertically between the lower and upper right-hand
side of the face. 12 stars are superimposed on these lines, one just before the two ends of each line. The
European continent is represented on the right-hand side of the face. The right-hand part of the representation
is superimposed on the mid-section of the lines. The word ‘EURO’ is superimposed horizontally across
the middle of the right-hand side of the face. Under the ‘O’ of EURO, the initials ‘LL’ of the engraver
appear near the right-hand edge of the coin. |
| The stork is taken as a relief of the stork motif from the existing SIT 20 (author Janez Boljka). |
This princely stone is the ancient symbol of the hierarchical organization of power in the Slovenian consciousness. We propose presenting a relief of its actual condition today. |
The "sower of seeds" is a frequent motif used by many creative artists, primarily in the area of painting. With his vehement gesture he scatters his seeds, which when they float above the earth in elliptically curving paths give the impression of planetary bodies in their orbits. This is the moment that the sower of seeds draws closest to the creator. |
Plečnik's unrealised plans for the Slovenian Parliament demonstrate the architect's vision of the nation's future independence. |
The Lipizzaner is neither a racehorse nor a horse for war. He narcissistically shows his beauty at parades. He demonstrates his youthful and happy character with playfulness. For the coin we therefore propose two horses in a most beautiful pose: at play. |
Slovenians have looked to Triglav in all of our fateful historical moments. Above the three-peaked mountain remains the vastness of unbounded space, containing among many others the constellation Cancer, which is the sign of the Zodiac under which Slovenia achieved its independence. The representation of Triglav is envisioned as a relief. |
Writing was Trubar's tool: the recognizable, old, hand-made, slightly rough but nonetheless beautiful letters that shape the first printed Slovenian text. His typography forms the basis for spelling out the sentence STATI IN OBSTATI (Stand and Exist). His portrait is well known. The portrait is to be presented in relief on the coin. |
Prešern's image remains largely unknown, despite the great number of "well-known portraits". For that reason we have decided to put his handwriting on the coin, as a sure confirmation that it is authentic Prešern. We used the poet's silhouette in relief (after Dremelj's portrait) because it attests to the "poetic character" of these little-known representation in a contemporary manner. |
